1982, Buenos Aires, Argentina
In this exhibition, Reino Pretérito, Almirón asks herself in different ways about the zero degree of the experience of the world, which is also that of art. These are works that build a universe that could be located both at the beginning and at the end. At times he turns his gaze from a dystopian future, which is already emerging in the present. He is an archaeologist who, in order to unravel the guarded secrets of a planet on the verge of extinction, collects fragments and subjects them to sensitive and precise observation operations.