1937, Buenos Aires, Argentina
Each numbered work is a place of condensation of images, accumulation of layers.
There are objects disabled, in retreat, where the dilapidated emits some glimpses of splendor. There is no narrative development but space without defined contours, coordinates of the world that we inhabit or that we have inhabited.
A "moving mirror".
Without a place of arrival or a space to return.
Each piece is a numbered "Volume" in no detectable order. Some are accompanied by thin lateral stripes that complete them. These are "pointers" that apparently could help explain what is not clear
Nora Aslan, 2020
HAIRS, BONES, CLAWS, FEATHERS AND A SHORT SEQUENCE OF PORMENORS